MED Classic

• As in the previous years, the 12th edition of the Festival MED will also have a space dedicated to the classical music. This year there are four groups that will bring the classical music to the Mother Church. The shows start at 07:30 pm, with duration of 50 minutes.
  
  25th June, 2015 – 07:30 pm
  
  ENSEMBLE MED
  
  The Ensemble Med [med: Mediterranean / medieval] arose on April 2012 within the Department of Early Music of Hogeschool voor of Kunsten Utrecht, Netherlands, under the artistic direction of Daniela Tomaz (flutes). The ensemble (in illo tempore “Tre Fontane”) arose from the interpretation of the homonymous piece, the Istampitta Tre Fontane, the driver of a new interpretive look at the music of this period, between the written tradition and oral tradition.
  It has been presented regularly to the public with diverse formations, highlighting musicians like Yenisey Gomez (singer), Ilil Danin (organetto) and Jornt Duyx (darbouka). It participated in several early music festivals in this country, highlighting: Kamermuziek Dag in Nikolaikerk, Utrecht (June 2012), the Summer Season of Catharijn Museum, Utrecht (August 2012) and the Open Blokfluit Dagen Amsterdam Festival (October 2012), representing the Hogeschool voor of Kunsten Utrecht.
  
  In 2014, it presents in duet at the invitation of Barend Tobe Cultural Connections Company in Utrecht, where prepares a program focused on the Sephardic, Christian and Arabic legacy from the Mediterranean basin, joining Daniela Tomaz with the acclaimed Dider François. They will also perform in the concert in the Castle Church, on August 2014, in Castro Marim.
  
  The Ensemble Med, from its beginnings, is looking for inspiration this delicate point of contact between the universes of the historically informed early music and the historically informed traditional music, looking for their own living and current interpretation of the music with European medieval origin, held around the Iberia and the surrounding regions of the Mediterranean Sea, in a multicultural and multidisciplinary approach between the Christian, Arabic and Sephardic legacy.
  
  Program
  
  I – Legado Mariano
  
  A los baños dell amor
  Anonimous in Cancionero Musical del Palacio, Biblioteca del Palacio Real, Madrid circa 1470/1520
  
  Danza Alta,
  Anonimous in Cancionero Musical del Palacio, ibidem
  
  Mariam Matrem Virginem
  In: Codex El Llivre Vermell de Montserrat, Biblioteca de l'Abadia de Montserrat, circa 1399
  
  II - Legado Árabe
  
  Sama‘i Nahawand
  Traditional Arab (composed by Jamil Masud)
  
  “Cantiga de Ceifa” [solol]
  Traditional theme from Penha Garcia/Portugal [collected by Michel Giacometti in Penha Garcia [Idanha-a-Nova, Castelo Branco, Portugal, 1970]
  
  Makam Rast «Murass'a» usul Duyek
  Traditional Turkish [recueil Dimitri Cantemir, 1673-1723]
  
  Boabdil
  Traditional Arab Buleria, composed by José Toral Rodriguez
  
  III – Trecento Italiano
  
  Per larghi prati e per gran boschi folti
  Giovanni da Cascia (unknown XIVth century)
  in Florence: Biblioteca Nazionale Centrale, (Panciatichiano 26 Codex)
  
  Ecco La Primavera
  Francesco Landini
  in Florence: Biblioteca Nazionale Centrale, (Panciatichiano 26 Codex)
  
  Fenice fu’ e vissi pura e morbida
  Jacopo de Bologna (1339-1386)
  in Florence: Biblioteca Medicea-Laurenziana, Palatino 87 (Squarcialupi Codex)
  
  Merçé o morte
  Johannes Ciconia (1370?-1412) [opus dubium]
  Lucca: Archivio di Stato 184 (Mancini Codex)
  
  Estampie retrouve
  Robertsbridge Codex
  
  Istampittas Saltarellos, Trottos and Lamentos
  The Manuscript London, British Museum Add. 29987

• 26th June, 2015 - 07:30 pm
  
  SYMBIOSIS
  
  This musical project is a mix of two very different musical instruments: the violin, with its deep-rooted connection in the classical music and the accordion, which comes from a tendentiously more traditional context. Lilia Donkova, the acclaimed international violinist with several awards in her music curriculum and a high-quality academic training, joins the Algarvian accordionist Gonçalo Pescada to uniquely perform some of the most famous pieces by A. Piazzolla, some standards by G. Gershwin, as well as two pieces by classical authors which were written for this type of training.
  
  Program
  
  Summertime - G. Gershwin
  Libertango - A. Piazzolla
  Melody in A minor - A. Piazzolla
  Oblivion - A. Piazzolla
  Adios Nonino - A. Piazzolla
  Por una cabeza - C. Gardel
  Dreamtrain - T. J. Kyllönen
  Suite (Moderato, Ruhige ganze Takte, Allegro) - W. Richter
  The man I love - G. Gershwin
  I got Rhythm - G. Gershwin
  Violentango - A. Piazzolla
  Tango pour Claude - Richard Galliano

• 27thJune, 2015 - 07:30 pm
  
  ENSEMBLE DE FLAUTAS DE LOULÉ
  & ENSEMBLE DE ALAÚDES DE ÉVORA
  
  Program
  
  Pavane | ed. Jacques Moderne (Lyon, c. 1545)  
  Gaillarde 15 | ed. Jacques Moderne (Lyon, c. 1545)  
  Basse Dance”Ta bonne grace”  | ed. Jacques Moderne (Lyon, c. 1545)    
  Ensemble de Flautas de Loulé / Conservatory of Music
  soprano flute 1 - Maria Beatriz Silva
  alto flute - Inês Pereira; tenor flute - Marta Rijo
  bass flute - Patricia Martins
  
  Robin | William Cornyshe 1465 – 1523
  La Roussignol | Anonymous
  S'il est si doulx | Clément Janequin 1485 – 1558
  Tourdion | Pierre Attaingnant c. 1494 – 1552
  Ensemble de Alaúdes de Évora / Regional Conservatory
  
  Largo e Allegro (2nd tempo) da Sonate (1727) | Michel corrette 1707-1795
  Ensemble de Flautas de Loulé / Conservatory of Music
  alto flute 1 - Tatiana Fernandes; alto flute 2 - Joana Alho
  
  Musical time with affetto do Duo VI (Berlin Duos, c.1752) | G.Ph.Telemann 1681-1767
  Ensemble de Flautas de Loulé / Conservatory of Music
  alto flute 1 - Teresa Jerónimo; alto flute 2 - Morgana Santos
  
  Fantasia Terza | Francesco da Milano 1497 – 1543
  Canarios |  F. Caroso  c. 1530 – c. 1610
  Propiñan de Melyor | Cancionero da Columbina (c. 1460 – 1480)
  Ensemble de Alaúdes de Évora / Regional Conservatory
  Pavane ”La Battaille”  | ed. Jacques Moderne (Lyon, c. 1545)
  Ensemble de Flautas de Loulé / Conservatory of Music
  soprano flute - Joana Fernandes
  alto flute - Teresa Silva; flute tenor - Ana Beatriz Serafim
  bass flute - Tatiana Fernandes
  Mr. George Whitehead’s almain (1605) | John Dowland 1563 – 1623
  Mrs. Nichol’s almain (1605)| John Dowland
  Ensemble de Flautas de Loulé / Conservatory of Music
  soprano flute 1 - Inês Pereira; soprano flute 2 - Teresa Silva
  alto flute - Joana Fernandes; tenor flute - Ana Beatriz Serafim
  bass flute - Tatiana Fernandes
  
  Lesson for 2 lutes - John Dowland  1563 – 1623
  Greensleeves to a ground - Anónimo
  Eccho - Francis Pilkington c. 1565 – 1638
  Come Again - John Dowland
  Ensemble de Alaúdes de Évora / Regional Conservatory
  
  Do Duo 1 (The Berlin Duos, c. 1752) | Georg PhilipTelemann 1681 – 1767
  Moderato –  dolce
  Ensemble de Flautas de Loulé / Conservatory of Music
  alto flute 1 – Morgana Santos
  alto flute 2 – Rita Viegas
  
  Ensemble de Flautas de Loulé  | Conservatory of music
  (students of the professor Francisco Rosado)
  Ana Beatriz Serafim, Inês Pereira, Joana Alho, Joana Fernandes, Maria Beatriz Silva, Marta Rijo, Morgana Santos, Patrícia Martins, Rita Viegas, Tatiana Fernandes, Teresa Jerónimo and Teresa Silva
  
  Ensemble de Alaúdes de Évora  | Regional Conservatory
  (students of the professor Helena Raposo)
  António Pires, Daniela Pina, Joana Figueira, Joana Pintado, Margarida Carreira and Rita Garcia